Between November 1963 and January 1964, the FBI examined a copy of the Zapruder film, noting that the camera recorded at an average of 18.3 frames per second. And that clear frame could not have been created by the camera being still and the limo moving at the same time. Camera in hand, my grandfather Abe Zapruder went down to Dealey Plaza to scout out a location. Filmed by Abraham Zapruder. There was nothing and you couldn't get anything on television . It looks to be almost a foot. Another thing you should know: Promoters of the lone assassin theory often stress the fact that one shot can sound like two. The muzzle blast spread from a suppressed [i.e., silenced] weapon shows deception and confusion resulting from attempts to locate sound origin from a weak fixed source at various angles from the source. Wrone is a history professor who tracks the chain of evidence for the film. After: Jackie begins to retreat. Zapruder gave two of the copies to Sorrels and they were sent to Washington. I happened to be looking right at him when that bullet hit him the second shot it looked like it hit him somewhere along about a little bit behind the ear and a little bit above the ear. To see a slow motion of the sequence showing Jackie on the trunk, please go here. The limo would had to have been stopped as well. For an instant, Abe and Marilyn stood stunned on the concrete stump, paralyzed by what had just happened. Whatever went on, it does seem we have missing images, the Elm turn and the limo stop and the obvious conclusion being dark arts were being practiced. Alexandra Zapruder recalled that fact in "Twenty-Six Seconds: A Personal History of the Zapruder Film," saying that her grandfather had been making home films of just about everything for decades from the 1930s onward.The interest had initially started with still photos ones of . Farther up the street, near the hairpin turn from Houston to Elm, Phillip Willis stood ready with color film in his camera. Books. Additionally, Brugioni was certain that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 2324, 1963. That same year, the family donated all copyrights on the film to the Sixth Floor Museum at Dealey Plaza. . The last view of the passenger side of the p. limo was Jay Skaggs at the intersection of Houston and Main. Abe later tried to piece together his memory of the traumatic first moments after the assassination. Under those circumstances, those responsible for the editing of the original Zapruder film ( CIA ) would have been FORCED to retain the headshot frames. So instantaneous the crowd hadnt had time to react.. So, that's quite a conundrum. Then someone behind them dropped a soda bottle, which made a loud crack and shattered on the concrete. Why a sophisticated conjurers trick involving CIA/Kodak 'Hawkeyeworks in Rochester, New York and NPIC in D.C. over two nights with two independent film teams, ignorant of each other, and a copy 8mm film returning to its original out-of-camera 16mm 'double 8' film, delivered by the never identified Secret Service agent 'Bill Smith'.

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